Date Archives July 2019

A Grey Day in Montmarte

So much of this day was just off. It was pouring for our walk to the train station in Nantes and I remained slightly soggy for hours until I was able to change at the hotel in the afternoon. Our ride to Montmarte didn’t improve my opinion of the Paris metro. The air not filled with other bodies was stuffy with body odors, and after wandering under the earth for what felt like three and three quarters miles in the seemingly endless white tiled exit tunnel, I finally emerged into an open-air market of sorts where one can purchase items that were liberated from the trash or nearby homes. This is not the Barbes/Rochechouart market but one nearby where you can buy, for instance, a remote control for a TV that is nowhere to be seen.

We stayed at Montmarte Mon Amour, a kitschy boutique hotel near the Basilique du Sacré-Cœur with a window that refused to close and where we were warned to avoid the Arc de Triomphe due to the yellow vest protests: noted.

Continue reading

Mechanical Wonders at Les Machines de l’île

On the banks of the Loire, east of the Atlantic, lies the city of Nantes, the birthplace of surrealism and Jules Verne. France’s largest harbor in the eighteenth century, Nantes experienced deindustrialization when the shipyards closed and the water was diverted, drastically altering the landscape, changing the economy, and creating the Isle of Nantes. In 2007, with the vision of François Delaroziere, it became the Isle of Machines.

François Delaroziere has always had a passion for nature, drawing, and fabrication, and in 1991, began bringing mechanical animals to life with the French theater company Royal de Luxe, also based in Nantes. Together, their work culminated in The Sultan’s Elephant, a 42 ton mechanical elephant designed by Delaroziere that toured the world in 2005-2006. Shortly thereafter, Delaroziere left Royal de Luxe to found his own company, La Machine, and, collaborating with Pierre Orefice, created Les Machines de l’île. Their first work was The Great Elephant, an inexact replica of The Sultan’s Elephant (which was destroyed, reputedly by the theater company because they were sick of doing elephant shows). This 45 ton behemoth is bigger and better than its predecessor, primarily because now it can carry passengers for a ride.

And I was going to ride that ride.

Continue reading